ADRIAN H AND THE WOUNDS Adrian H and the Wounds CD Digipack 2012
Art.Nr.: 41890
EAN: 0617026026923
Label: PROJEKT
EUR 9,99
inkl. 19 % USt
Produktbeschreibung
Artist: | ADRIAN H AND THE WOUNDS | |
Title: | Adrian H and the Wounds | |
Format: | CD Digipack | |
Year: | 2012 | |
Label: | Projekt | |
Tracklist: |
1 Memory 5:51 | |
Info: |
Nick Cave once released Murder Ballads, an album that serves as the premise for a musical genre that effectively describes the work of Portland, Oregons Adrian H And The Wounds. Our narrator Adrian H sings grim stories of broken characters of flesh and blood, human tragedies that chase shivers down the listeners spine. His narrative style, spoken and sung in a hoarse, sonorous voice rides atop The Wounds solid accompaniment which exudes an almost tangible sinister atmosphere. Sultry, passionate and intense through and through, the compositions provide the perfect drive and spark that Adrians narrative story-telling requires. Adrians ever-present piano forms the basis for the arrangements which rock with a cabaret post-punk mood à la Bauhaus and Love And Rockets. The songs as stories are presented in a dark, brooding film noir style, as if told in a smoky joint in a backwater southern town populated by characters at the edge of society; theyre broken and yet more whole than its shining citizens. These men and women are not presented as sinners but as rounded human beings condemned to life as it is without the need for redemption. They are real if you like, observed by Adrian H as a modern day and more mature Bukowski who has chucked the excess and honed his stories to a razor-sharp point. Its all quite literate, dark and brooding, yet fused with speakeasy black humor. Throughout, Adrian Hs feverish vocals create a rapport with the listener. Youre not just eavesdropping on his songs, youre transported to a malevolent side of town, just a step away from a knife blade and the deep, black abyss. Featured on the album are Adrians re-possession of three well-known tracks. First off is Tom Waits, Hoist That Rag where Adrian leads The Wounds with a blistering organ through a bloody battle of saxophone, piano and percussive textures to claim victory at its end with a call to arms chorus and a tip of the hat to old Tom. Later, the band is on the vaudeville stage for Chim Chim Cher-ee with a dark cabaret atmosphere and three-quarter time; the harmless childrens song suddenly turned into an angry nightmare. A haunting version of Bain Wolfkinds Border Patrol finishes the album with its sexy saxophone and crime-ridden streets; a man lays dead in the snow, Adrian H intones, knowing all too well it could be a stranger just as easily as it could be himself. Each song is a world all its own, sometimes introspective, sometimes vaudeville, sometimes driving post-punk, often very catchy and always very emotional. Adrians murdern crime tales would work as a Tim Burton soundtrack: pitch-black moments, blackhearted and gloomy, yet sizzling and captivating. Adrians virulent and venemous vocals deliver grim stories with musical echoes of Nick Cave and Tom Waits. |